4.17.2011

Pitchfork 2011

Which day, which day....

Friday, July 15

Animal Collective, Neko Case, Guided By Voices, Thurston Moore, Battles, James Blake, Das Racist, Curren$y, tUnE-yArDs, EMA, Gatekeeper

Saturday, July 16

Fleet Foxes, DJ Shadow, The Dismemberment Plan, Destroyer, No Age, Gang Gang Dance, Zola Jesus, Twin Shadow, Toro Y Moi, Woods, Cold Cave, Wild Nothing, OFF!, Julianna Barwick, G-Side, Sun Airway, Chrissy Murderbot

Sunday, July 17

TV on the Radio, Cut Copy, Deerhunter, Superchunk, Ariel Pink's Haunted Graffiti, OFWGKTA, HEALTH, Kurt Vile, Yuck, The Fresh & Onlys, Radio Dept., Baths, Kylesa, Shabazz Palaces, Twin Sister, How to Dress Well, Darkstar

Not Friday...too late and would need a babysitter.

Sunday looked best at first, but Saturday line-up has gotten progressively stronger.  Can only pick one...

3.08.2007

Pitchfork 2007

According to the Pitchfork Festival podcast, here are some of the artists slated for the 2007 edition of the festival, happening July 13-15 at Union Park:

  • Girl Talk
  • Ken Vandermark (?)
  • Califone (*)
  • Cat Power (!)
  • Clipse (?)
  • Grizzly Bear
  • Professor Murder
  • Jamie Lidell
  • Of Montreal (!)
  • Iron and Wine (*)
A couple of favorites so far (!), a few reliably good bands (*), and some acts that I have been wanting to know more about (?).

9.23.2006

Some Girls - Partner In Crime

Does it really have to be so hard
I'm light as a feather you're stiff as a board
Is there any way that I can be
To get you really to look at me

Look at me
Look at me

Is the weight gonna shift today
You're burning out and i'm fading away
Are you really gonna let me go
You could put up a fight you know

Once upon a time
You got lost inside my eyes
Once upon a time
You got lost inside my eyes
I'm just your alibi
But I'd rather be your partner in crime

But you are not home tonight
And I'm doing what I do
I'll open my heart wide
Enough to break in two

Once upon a time
You got lost inside my eyes
Once upon a time
You got lost inside my eyes
I'm just your alibi
But I'd rather be your partner in crime

I'll open my heart wide

Once upon a time
You got lost inside my eyes
Once upon a time
You got lost inside my eyes
I'm just your alibi
But I'd rather be your partner in crime

9.17.2006

v.o.r.t.e.x.09.06 - file under life

This time, I'm gonna try it my way, I'm gonna live life my way. I'm trying to keep my back from the wall. Nothing really matters when you call out my name. I think about how long it would take them to blow us away, but I won't get me down. I'm just thankful to be facing the day. Crazy as it sounds, I need you around. Before the ocean I've prayed, and I said your name. All the things I tried to say, were never easy to explain, they were always meant for you. Our robot masters will know, how to clean this mess up, and build a better world. 54,000 claws digging and scratching. Does it really have to be so hard? Is there any way that I can be, to get you really to look at me? Are you really gonna let me go, you could put up a fight you know. I'm just your alibi, but I'd rather be your partner in crime. They say time heals everything, but I'm still waiting. I'm through with doubt, there's nothing left for me to figure out. I've paid a price, and I'll keep paying. I hope my little brother puts a call into me. I'm gonna break these wicked chains to protect me. It's a perfect sin, close your eyes and lose the rest, It's a perfect sin, close your mind and feel the best. I put gin in my milk, to kill all the drugs. I really like you, but I'm nothing like you. No-one gives a fuck about the values I would die for. (Now chill for a moment.) Last call, barhopping...we've gotten so far. So close to the edge, the edge, we're flipping a coin. I just want your love. I am an artist, I am an art bitch, I sell my paintings to the men I eat. I am so hardcore. See me driving down the street, I'm bored with looking good. The cops are coming. I listen to the music with no fear, you can hear it too if you're sincere. You say there's nothing wrong but I don't hear. I will burn your love letters. Just give us a moment and gimme the sound. I'm a seasick sailor on a ship of noise. Roar! Karma police, I've given all I can, it's not enough, I've given all I can.

9.16.2006

smoking popes - need you around

If I could see into your heart
Then would I know just where to start?
Because I'm lost and I need to be found
Crazy as it sounds
I need you around

If I could stand to be on my own
Then I would probably just leave you alone
But I'm gonna feel this way till I'm six feet underground
Crazy as it sounds
I need you around

Turning, tossing and turning
My love is burning me down

If I could change one thing in this world
I'd change your mind and make you my girl
Because I'm lost and I need to be found
Crazy as it sounds
I need you around

I'm gonna feel this way till I'm six feet underground
Crazy as it sounds
I need you around

8.07.2006

Lollapalooza - Day 3

Beware the hot sauce

R says that the way to avoid the rain is to carry an expesnive umbrella around with you. Given the way that the weather radar looked before we headed out today, she must be right.
Walking in, heard a little bit of Ben Kweller. Nothing too original sounding there.
Headed to the north end and caught the second half of the Nickel Creek set. They were okay, and earned some points for a cover of "Toxic" by Britney Spears. (Amusing since NC could be loosely categorized as alt-country.)
Today's sets were plagued somewhat by sound issues. This was unfortunate, since the first two days I thought the audio production was pretty good, all things considered (the naturally iffy acoustics of a big outside space, sound bleed-over from other stages, wind shear, etc.) Those issues started with the Andrew Bird set. He did play some good stuff, and his instrumental multi-tasking abilities are undeniable. But unless you had heard his recordings, the subtleties and originality of his work may have been hard to distinguish. Oh, well, it was nice to hear him anyway, and I wouldn't mind seeing him again.
Then we turned around to face the other stage for the Shins. Where Bird's set suffered from bad production, the Shins were plagued by blown speakers; the sound barely carried halfway across the field and even that required starining somewhat to hear it (as opposed to the previous day, when we could hear Manu Chao playing on that stage from as far back as Buckingham Fountain). We stayed for about twenty minutes of that, then drifted off for some food. R went to see Matisyahu, and reported back favorably on his set. I preferred to see Of Montreal. They were the highlight of the day. Dressed as brightly as anyof the random clowns walking around the fairgrounds and cavorting across the stage as if it were electrified, they were obviously having a good time and doing so in spite of yet more technical issues (the lead singer's guitar pedal crapped out about halfway through). I liked this band before, and even R, who liked some of their stuff but was a little iffy on them in general, confessed a new respect for them after seeing the latter half of their set.
Next we caught the end of the Poi Dog Pondering set; they were decent and put in a solid if not particularly energetic performance. And then Wilco, who were on the stage that the Shins had been on previously and where the sound issues continued. We put up with that for a little while before heading out, catching some of the Queens of the Stone Age set on the way out (I think they are okay, but their stuff all sounds like other bands to my ears).
Overall, I would grade today a C+
The whole festival gets a solid B; they did a good job mixing up the styles, and despite the sound issues, the production was decent most of the time. There were some unfortunate scheduling conflicts, but I did get to see the majority of the bands that I really wanted to see and that made it worth the price. Even though three days is a bit draining, I'll look forward to seeing what they come up with for next year.

8.06.2006

Lollapalooza - Day 2

Gnarls Barkley

If I had any intention of losing my voice at this festival, today would have been the day to do it. Crowd participipation, call-outs, say "yeah", sing-alongs, am I being redundant yet?
Lyrics Born got us started with the high energy, loud, wave your hands in the air theme, working the stage like we were all at the gym in an aerobics class. He did as well as one can do with an act that is better suited to the sweaty, reverberating confines of a club, and yes that is a compliment.
Gnarls Barkley picked up on one of LB's other themes, complimenting the ladies exhaustively and giving off the "how many of you nubile young women are gonna see me backstage" vibe. Dressed in suburban white tennis outfits, every song was tight and well choreographed but they blew their wad a little early, choosing to play "Crazy" about 2/3 of the way through their set. It was actually kind of sad seeing the exodus after that song; it just proves that they could have not even tried, they could have played 50+ minutes of crap and everyone would have stayed just to hear the hit single. (This is the stuff of a future rant about downloading singles versus hearing entire albums, if I can get in the proper frame of mind to write it.)
We caught some of the Blackalicious set next (unfortunately scheduled half against Gnarls; what the hell?) which continued with the call-out theme. Didn't see too much of them, but they were good.
Took a break to stand in line for food, then went over to see the Flaming Lips. Wayne Coyne decided it would be a good day to stand around and mumble a lot of incoherent nonsense, exhorting the crowd to sing along and seeming somehow put off by the rather weak response. Wayne, you can expect that when you're the headliner, but maybe everyone was so distracted by the twenty or so blue balloons bouncing around the audience and the two astronauts, alien, giant santa and santa chorus on the stage to really focus on what you wanted them to do. Just dig in and play the crowd pleasing back catalogue, man, give the people what they want. So yeah, even though I am amused by their theatrics, I have definitely seen better Lips sets.
We went back to the south end and grabbed a chunk of hill for the New Pornographers set. Once again, the 7:30-8:30 block of time yielded the highlight of the day, but Neko Case, sweetie, where were you? Carl Newman provided some amusing between-song banter, and the band was in lock-step, charging through the highlights of their catalogue. (An aside: We were highly entertained, during their set, by a little girl with one of those blue balloons using the entire hillside crowd as playmates as she smacked it back and forth to people. This kid had so much infectious energy, and I think she made everyone in that section smile.)
R and I finished up by checking out Manu Chao for a little while, and probably could have stayed for their set (what we heard was very good) but we were both tired at that point.
Overall, Day 2 gets a B-

8.04.2006

Lollapalooza - Day 1

Sleater-Kinney

Arrived in time to hear the end of the Cursive set. They sounded pretty good, though I didn't actually see them.
Next - Panic at the Disco. Decent, but not spectacular. They did a cover of Karma Police. Then I walked to the north side of Grant Park to see the Eels. They were kind of boring, which I was surprised about, because I was under the impression that their live sets were worthwhile.
Turned around to face the other stage for Stars, who played a lot of my favorite songs and turned in a decent if vocally shady performance.
Sought out some shade for a bit before heading toward the central section of the fest where Mates of State were playing and getting rapidly sunburnt. They put a lot of energy into it, and the crowd was better than I expected it to be for them. They also played many of my favorites. (Nobody else I know likes them, though).
Drifted south again to hear The Secret Machines, who were kind of boring.
Then back to the north end for My Morning Jacket. Their performance was strong, but seemed to drag out due to the anticipation of seeing Sleater-Kinney in what was one of their last ever shows. They were the absolute highlight of the day.
Hung around for a couple Death Cab for Cutie songs, but they sounded kind of flat and I was tired at that point, so I took off.
Overall, I give Day 1 a C+/B-

8.01.2006

Pitchfork Day 2

Union Park, Chicago
July 30th
Heat index: over 100 degrees

Met up at J & K's again; this time Milo joined us for the festivities.
The theme for today was "find a shady spot to sit down".
So that was the first thing we did, catching the end of the Jens Lekman set. Which, surprisingly (to me anyway) was not bad. He has more energy and swing in his live set, which would add a lot to his rather bland recordings.
Our primary objective was to see The National, so we staked out a good spot in full view of the sun's rays and silently took bets on whether the lead singer would make it through the set without imploding or bursting into flames. He didn't, but he did seem to harness the solar enegy and convey it via his strained vocal cords into a fireball of emotion emanating out into the audience. They played a couple new songs, both relatively mellow and sad but definitely good.
We wandered over to the misting tent for a break, then heard a bit of the Liars. They definitely bring a lot of energy to a performance, but I'm still not a big fan.
Prior to the Liars, we could hear a bit of the CSS set from the little south stage/tent, and it sounded pretty good. That's a band worth further investigation.
After another time-out in the shade with a round of beers, Mr. Lif and Aesop Rock were on. We lost Milo at this point. They did a good hip-hop/tag-team rap set, definitely one of the more fun and crowd-pleasing acts on the bill.
By this point we were all kind of tired and hungry, so we picked up some thai food (which was pretty good) and then browsed through the poster tents (I picked up another Jay Ryan piece, of course), then headed out.
Overall, a very well put together music fest, and something I'll be keeping an eye out for next year.

7.30.2006

Pitchfork Day 1

Union Park, Chicago
July 29th
Heat index: close to 100 degrees.

We walked over from J & K's around 4:30.
"Ready, Art Brut? Bang Bang Rock and Roll!"
They aren't the most original band, but Art Brut are fun and they do a good live set.
Krista loves their choice of band name.
We watched them for a bit then wandered over to a little stage in a tent at the far south end of the park. Soren joined us there as we heard some of the frenzied, echoes of early Beastie Boys stylings of Spank Rock. I may have to pick up some of their stuff.
Then we stood in the long line for the Ben and Jerry's ice cream truck. Missed Ted Leo and nobody seemed to mind.
Wandered around the arts and crafts/music tent for a while. I saw about a dozen things I would have probably bought on any other day, but I didn't feel like carrying around a bag of vinyl for the rest of the day, so I abstained.
After standing in the water mister for a moment, we staked out a chunk of grass for the Walkmen. They were good. Jeff remarked on the lead singer getting more and more reminiscent of Bob Dylan, and yes, I can hear it, and I'm not sure if that's a good direction in which to go. The Walkmen are a bit of an acquired taste, sure, but they have a good style of their own that they should stick to.
Drifted out of that crowd toward the other of the two main stages to find a clear spot to sit down for a while before the Futureheads. They were good, though it took them a while to get to what I consider to be their better songs.
I should note that we didn't watch any set all the way through, but that was okay, I kind of like the notion of being in the midst of such a wealth of good music that you can just wander off to another stage and be just as happy with what you are hearing.
We finished off day 1 with A-Track, a turntable artiste known for his work with the Invisible Skratch Picklz. It was a solid, high energy way to end the first day.
Returned to J & K's and had a refreshing glass of limoncillo liqueur on ice, and went home.
Overall, a good day musically speaking, with no sunburns and no detectable signs of overheating.